55) Simon of Cyrene is forced to carry the cross. Only his final words, in Aramaic, Eli, Eli lama asabthani? On the way to the crucifixion site (No. 1730 – he reverted to the originally composed "Herr, unser Herrscher" there). Sind Blitze, sind Donner in Wolken verschwunden? In the evening (No. The chorus alternates between participating in the narrative and commenting on it. Aria Alto II: Können Tränen meiner Wangen is a popular song by American Bach Soloists & Dana Marsh & Jeffrey Thomas | Create your own TikTok videos with the St Matthew Passion, BWV 244 52. Dès maintenant sur IDAGIO In the 1727/1729 version, the soloist is a bass. 51 Recitative (Alto): "Erbarm Es Gott" By Johann Sebastian Bach Cornelius Hauptmann , English Baroque Soloists , John Eliot Gardiner — What? Both use lettered subsections in some cases. J.S. Other libretto sections came from publications by Salomo Franck and Barthold Heinrich Brockes.[14]. 43), is impressed and is inclined to release him, as it was customary to release one prisoner for the holiday, supported in this by his wife. 7) has Judas Iscariot negotiating the price for handing Jesus over. Reflecting thoughts on contemporary poetry appear as sequence of recitatives (rec) and arias, sometimes just the latter, and in choral movements. Buy CD online. by Chorus II, to which Chorus I answers als wie ein Lamm (just like a lamb – another reference to Christ). ", The narration follows Jesus' instructions for securing the upper room for Passover, and the beginning of the Last Supper. Find album reviews, stream songs, credits and award information for Bach: Arias from St. Matthew's Passion - Elly Ameling, Janet Baker on AllMusic - 2005 Staged productions of the Passion include Lindy Hume's 2005 production for the Perth International Arts Festival, restaged in 2013 for Opera Queensland with Leif Aruhn-Solén [sv], Sara Macliver, Tobias Cole; and Peter Sellars' 2010 production with the Berlin Philharmonic under Simon Rattle with Mark Padmore, Camilla Tilling, Magdalena Kožená, Topi Lehtipuu, Christian Gerhaher and Thomas Quasthoff. (‘Passion’ is derived from the Latin verb ‘patior’ meaning ‘to suffer’ or ‘endure’, from which we also get ‘patience’ and ‘patient’.) The sopranos sing the cantus firmus, the other voices interpret aspects of the narration. View credits, reviews, tracks and shop for the 1962 Vinyl release of Arias From St. Matthew Passion on Discogs. Both include two transverse flutes (Choir 1 also includes 2 recorders for No. In the morning (No. In the St Matthew Passion there are three such extended choral movements: the opening chorus ("Kommt, ihr Töchter, helft mir klagen", text by Picander and. Bach: St. Matthew Passion, BWV 244 / Part Two - 'Erbarme dich' song on Gaana.com and listen Bach, J.S. At Golgatha (No. Check out Bach: Famous Chorals & Arias From St. Matthew Passion, BWV 244 by Ludmila Hadjieva, Buriana Tabakova, Nikolai Warionov, Plamen Peikov, Orchestra of Radio Sofia, Choir of Radio Sofia, Ivan Marinov on Amazon Music. Hier zittert das gequälte Herz, Der Heiland fällt vor seinem Vater nieder. Bach did not number the sections of the St Matthew Passion but twentieth-century scholars have done so. Highly contented, there the eyes fall asleep." Bach’s St. Matthew Passion: the alto aria, Erbarme dich, mein Gott (“Have mercy Lord, My God, for the sake of my tears”). Part Two is opened by a dialog between the alto soloist deploring her lost Jesus and choir II offering help in searching for him, quoting Song of Songs 6:1 (Wo ist denn dein Freund hingegangen). [25], When Felix Mendelssohn was preparing his revival performance of the Passion in 1829 in Berlin (the first performance outside Leipzig), he cut out "ten arias (about a third of them), seven choruses (about half), [but] only a few of the chorales," which "emphasized the drama of the Passion story ... at the expense of the reflective and Italianate solo singing. [2] That was the option chosen by Bach for his 1724 St John Passion. Johann Sebastian Bach 's St Matthew Passion ( Matthäuspassion ), BWV 244, is structured … The arias are taken from Bach's major works: Buss' und reu from and Erbarme dich from the St Matthew Passion, Wo zwei und drei and Zum reinen wasser which appear in the Eastertide cantatas, and the Agnus Dei from the B Minor Mass. [20] This also marks the completion of Bach's gradual emptying out of the key signature in subsequent settings of this tune: No. Arias from St. Matthew Passion & Messiah. Catalogue No: E4334742; Label: Decca; Length: 48 minutes; Penguin Guide. One person found this helpful. "The disciples prepare the Passover meal", 8. The St. Matthew Passionwas probably first performed on Good Friday (11 April) 1727 in the Thomaskirche in Leipzig, where Bach was the Kantor of the School and Directoris Chori musiciof Leipzig. — to our guilt), after which Chorus I and II sing the last lines of Picander's text in separate blocks. Listen to Bach: Famous Chorales & Arias from St. Matthew Passion by Orchestra of Radio Sofia on Deezer. Edith Mathis (soprano), Janet Baker (mezzo), Peter Schreier (tenor), Dietrich Fischer-Dieskau (baritone), Matti Salminen (bass) Münchener Bach-Orchester, Karl Richter, Georg Ratzinger (chorus-master) – See the endurance) and ultimately Seht — Wohin? $25 includes Shipping (US Orders 4-7 Days, International 7-21 Days) Soprano 1. (This is because most religious music was performed in churches. We’ll start in one of the most sublime and powerful corners of J.S. Scenes can be opened and closed by arias: No. In other words, except for the chorus and aria that open Part One and Part Two, chorales and arias are a meditation after the narration of the action in the sung Gospel text. 44 has two sharps (D major), No. In a great contrast of mood the preparation for the "Easter meal" (Osterlamm) is described (No. Has been Temporarily Discontinued. and Aria (with Chorus II: Ich will bei meinem Jesu wachen) for tenor, Aria for soprano and alto (with Chorus II: Laßt ihn, haltet, bindet nicht!) Recitative for bass, tenor, alto and soprano, with Chorus II singing Mein Jesu, gute Nacht!. When the cantus firmus has died out, Chorus I and II return to the first three lines of the text, from measure 82 until the conclusion of the chorus in measure 90. Soprano 2: Alto 1. Two duets are sung by a pair of soloists representing two simultaneous speakers. The St Matthew Passion was not heard in more or less its entirety outside Leipzig until 1829, when the twenty-year-old Felix Mendelssohn performed a version in Berlin, with the Berlin Singakademie, to great acclaim. Bach From the bondage of iniquity (St John Passion) J.S. VIOLINISTS! 49, "Aus Liebe will mein Heiland sterben", where the absence of strings and basso continuo mark a desperate loss of security. Even his last words are misunderstood. Additionally, Song of Songs 6:1 is used in the opening aria (with chorus) of Part Two (No. This theme is reinforced by the concluding chorale of the first part, O Mensch, bewein dein' Sünde groß (O man, bewail your great sin). Baroque music--and Bach--were eclipsed into obscurity in the early 1800s as romantic symphonies became the musical rage--until a famous 1829 revival of the St. Matthew Passion by Felix Mendelssohn showed Berliners what they'd forgotten. The St. Matthew Passion, on the other hand, is as tightly put together and solidly constructed as the buildings in which it was originally performed. The St. Matthew Passion was one of the first recordings the Bach Collegium Japan and Masaaki Suzuki made for BIS in 1999, with only a handful of volumes of the complete Cantatas under their belts. 47 Aria. Many of the Alto arias selected here are amongst the most frequently performed extracts from the great Oratorios. A small group is represented by Chorus I or Chorus II separately (Chorus I always for the disciples); High priests and larger groups of people are sung by Chorus I and II together. Listen to Bach: St. Matthew Passion - Arias & Choruses by Herbert von Karajan, Gundula Janowitz, Christa Ludwig, Horst R. Laubenthal, Walter Berry, Berliner Philharmoniker, Wiener Singverein, Chor der Deutschen Oper Berlin, Staats- und Domchor Berlin, Johann Sebastian Bach. The CyberBass Project is Working Tirelessly to. Choir II consists of SATB voices, violin I, violin II, viola, viola da gamba, cello, two traversos, two oboes (d'amore) and possibly continuo. Listen to J.S. [2] A setting of the then-popular Brockes Passion libretto, largely consisting of such paraphrasing, could not be done without replacing the paraphrases by actual Gospel text. The work is closed by a grand scale chorus in da capo form, choir I and II mostly in unison for the first part Wir setzen uns mit Tränen nieder (We sit down in tears), but in dialog in the middle section, choir II repeating "Ruhe sanfte, sanfte ruh!" Their first performance was effectively publicized in six consecutive issues of the Berliner Allgemeine Musikalische Zeitung, founded and edited by Adolf Bernhard Marx. 38) Peter is told three times that he belongs to Jesus and denies it three times – then the cock crows. Bach took the Gospel text for the composition from Martin Luther's German translation of Matthew 26 and 27. Please Consider Purchasing a Learning CD → CyberBass ® Learning CDs. A number of passages for several speakers, called turba (crowd) parts, are sung by one of the two choirs or both. 26) that he is betrayed by Judas' kiss and arrested. When J. S. Bach came to write his St. Matthew Passion in the 1720s, the Passion, as a musical form, had grown to allow orchestra, choirs, and non-scriptural choruses and arias. Rebuild our MP3 Catalog in the Coming Months. Bach used the hymns in different ways, most are four-part setting, two as the cantus firmus of the two chorale fantasias framing Part I, one as a commenting element in a tenor recitative. Particular highlights of the St. Matthew Passion include two incredible alto arias: ‘Erbarme dich’, an exquisitely touching piece with a solo violin part which provides a moment of reflection after Peter's third betrayal of Jesus; and ‘Können Tränen meiner Wangen’, whose impassioned broken chords reference the shape of the cross, with which Jesus is then beginning his journey. 17 appears to be missing, and movement No. Part One is opened by the chorus "Kommt, ihr Töchter, helft mir klagen" (Come ye daughters, join my lament), on a text by Picander. Bach often uses madrigalisms, as in "Buß und Reu", where the flutes start playing a raindrop-like staccato as the alto sings of drops of his tears falling. Several movements use a combination of forms, such as an aria with chorale, a chorale fantasia, a chorus with a chorale as a cantus firmus. 66) officials remind Pilate of the talk of resurrection and ask for guards and a seal for the grave to prevent fraud. The Passion was performed under the Cantor of St. Thomas until about 1800. These are not always sung by all different soloists. Johann Sebastian Bach (1685~1750)- Matthäus-Passion, BWV 244 -(für solisten, doppel chor und doppel orchester)Teil 2 / 39. In the drama, this aria reflects Peter’s solitary heartache in the garden after he denies knowing Jesus three times. Typically, these are done with all performers in street clothes or neutral costumes, the orchestras on stage, at least the soloists singing without scores from memory, and the words acted out in a solemn, melodramatic fashion with only a minimal stage set. The CyberBass Project is Working Tirelessly to. They vote to crucify Jesus, Pilate gives in, washing his hands claiming his innocence, and delivers Jesus to torture and crucifixion. Three chorales are written by Paul Gerhardt and Bach included five stanzas from his O Haupt voll Blut und Wunden. Kathleen Ferrier. Preview, buy and download high-quality music downloads of Bach: St. Matthew Passion - Arias & Choruses by Berliner Philharmoniker from 7digital Sverige - … Part II opens with an aria, Ach! The St Matthew Passion is the second of two Passion settings by Bach that have survived in their entirety, the first being the St John Passion, first performed in 1724. The chorus sings, in the final chorale No. English music album J.S. Matthew 26:1–2 places the first scene two days before the Passover feast. Alto 2 Tenor 1. 29, concluding Part One, is a four-part setting of the chorale "Jesum lass ich nicht von mir" instead of the chorale fantasia on "O Mensch, bewein dein Sünde groß".[5]. Many composers wrote musical settings of the Passion in the late 17th century. Discovering it was an equally electric revelation for me. Bach: Matthäus-Passion - Arien & Chöre. St. Matthew Passion, BWV 244: No. Preview, buy and download high-quality MP3 downloads of Bach: St. Matthew Passion - Arias & Choruses by Berliner Philharmoniker from zdigital Australia - We … I have provided many of them with singable English translations. The choirs are abbreviated Ch I and Ch II, individual voice parts as S (soprano), A (alto), T (tenor), and B (bass). Part I ends with a chorale fantasia that is based on the opening chorus of the St John Passion in its second version, also performed by both choirs in unison, whereas the opening chorus is for double choir with the chorale "O Lamm Gottes, unschuldig" as the cantus firmus, which was originally played, later sung. Bach: St. Matthew Passion, Choruses and Arias » de Dame Janet Baker sur Napster Découvrez J.S. Preview, buy and download high-quality music downloads of Bach: St. Matthew Passion - Arias & Choruses by Berliner Philharmoniker from 7digital Sverige - … Large choruses, in addition to the instrumentists indicated for Choir I and II, would have been impossible, so also here there is an indication that each part (including those of strings and singers) would have a limited number of performers, where, for the choruses, the numbers indicated by Bach in his 1730 request would appear to be (more than?) From this point of view, the four singers in Chorus 2 are not really ripienists but four additional concertists, just like those in Chorus 1. It is there (No. ), he is supposed to have called Elijah. Join Napster and play your favorite music offline. Once the fuller group of singers and the orchestra were brought in, Devrient recalled, participants were amazed at "the abundance of melodies, the rich expression of emotion, the passion, the singular style of declamation, and the force of the dramatic action. The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to "The Passion of our Lord J[esus] C[hrist] according to the Evangelist Matthew".[1]. Bach: Matthäus-Passion - Arien & Chöre. In "Erbarm es, Gott", the relentless dotted rhythm of the diminished chords evoke the emotional shock of the scourging.[16]. In the early version BWV 244b the chorale No. The St Matthew Passion (German: Matthäus-Passion), BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. Two distinctive aspects of Bach's setting spring from his other church endeavors. Rosette. 61a where Jesus utters his last words "Eli, Eli, lama, lama asabthani" [sic] in recitative secco (see facsimile image on the right). The 20-year-old Felix himself conducted the rehearsals and first two performances by the Singakademie. and Chorus (I & II). Bach then revised it again between 1743 and 1746. The size of the organ lofts limited the number of performers for each Choir. This is notable in "O Mensch, bewein dein Sünde groß", the conclusion of the first half – a movement which Bach also used as an opening chorus for the second version (1725) of his St John Passion (later – ca. New scenes begin with Gospel text sung by the Evangelist, except the first scene of each of the two parts of the composition. This 2019 recording marks 20 years for that recording, with the complete sacred and secular cantatas behind them, not to mention numerous recordings of other composers. While soprano and alto mourn (in duet, No. This is the version (with some possible later adjustments) that is generally known as the St Matthew Passion, BWV 244. 15 has four sharps (E major), No. Recitative and Aria (bass) Lute instead of Viola da gamba in 1727/1729 version. It is composed in two parts, that were to be performed before and after the sermon of that service. Johann Sebastian Bach's St Matthew Passion (Matthäuspassion), BWV 244, is structured on multiple levels: the composition is structured in three levels of text sources (Gospel, libretto and chorales) and by the different forms that are used for musical expression (arias, recitatives and choruses). Beethoven - 9th Symphony: Berlioz - Requiem . and Chorus II promptly asks Wen? There are fifteen arias in the St. Matthew Passion, all of which, with the sole exception of Aria 58, either are dances or else are animated by rhythms that suggest a body in motion. The St Matthew Passion is the second of two Passion settings by Bach that have survived in their entirety, the first being the St John Passion, first performed in 1724. [10], Some parts were adjusted for a new performance on Good Friday 23 March 1742. 41) Jesus is sent to Pontius Pilate while Judas is overcome by remorse and kills himself. 18) Jesus asks his followers several times to support him but they fall asleep while he is praying in agony. 4). Bach: St. Matthew Passion, BWV 244 / Part Two - No. Disponible con una suscripción a Apple Music. 27b) furiously demands against the Jews who arrested Jesus "Zertrümmre, verderbe, verschlinge, zerschelle/ Mit plötzlicher Wut/Den falschen Verräter, das mördrische Blut!" He had revised it by 1736, performing it again on 30 March … Since 1975, it is usually assumed that Bach's St Matthew Passion was first performed on Good Friday 11 April 1727,[3] although its first performance may have been as late as Good Friday 1729, as older sources assert. 58) Jesus and two others are crucified and mocked by the crowd. Zelter was reluctant but eventually gave his approval; that of the Singakademie board followed.[29]. DG: 4696012. St. Matthew Passion - Arias & Choruses. Label: Angel Records - S 36163,Angel Records - 36163,Angel Records - S. 36163 • Format: Vinyl LP, Stereo • Country: UK • Genre: Classical • London Philharmonic Orchestra, Sir Adrian Boult. [4] The performance took place in the St. Thomas Church (Thomaskirche) in Leipzig. In many arias a solo instrument or more create a specific mood, such as the central soprano aria No. Both choirs are four-part, SATB. Two arias (‘Buss und Reu’ and ‘Erbarme dich’) are drawn from the St Matthew Passion, two (‘Wo zwei und drei versammlet sind’ and ‘Zum reinen Wasser’) from Eastertide cantatas, and the Agnus Dei is from his most spectacular choral work: the B minor Mass. Rifkin, Joshua (1982). ), Chorus I replying with den Bräutigam (the bridegroom – implying Christ). There was no room for a stage, and no time for scene changes.) nun ist mein Jesus hin!. The narration of the Gospel texts is sung by the tenor Evangelist in secco recitative accompanied only by continuo. Bach finalized his autograph score in 1743–1746; however, this undertaking was not tied to any new performance.[10]. Some of the arias in the St. Matthew Passion are performed by the singers and instrumentalists of Chorus 1, as you would expect from their concertist status, but other arias come from Chorus 2. In the latter case the ending of the scene would usually be on a turba chorus, such as Wahrlich, dieser ist Gottes Sohn gewesen ending the scene where Jesus dies at the cross. Soloists sing the words of various characters, also in recitative; in addition to Jesus, there are named parts for Judas, Peter, two high priests (Pontifex I & II), Pontius Pilate, Pilate's wife (Uxor Pilati), two witnesses (Testis I & II) and two ancillae (maids). Both use lettered subsections in some cases. He dies. Helpful. In St. M… Sometimes the rhythms are smooth and flowing, in imitation of the many fluids that course through the text: precious ointment, water, tears, blood, wine. 63c) Joseph of Arimathea asks Pilate for the corpse for burial. [4][5] Movement numbers in this article follow the NBA scheme, except for the table with the movements that cross-references both numbering systems. 39 from "St. Matthew Passion" (Alto Part) - Alto by Johann Sebastian Ba.... Buy fully licensed online digital, transposable, printable sheet music Downloads What are FLAC and MP3? [20], In the 1727/1729 version without music and text "Es dient zu meinem Freude", Recitative (with Chorus II: Was ist die Ursach aller solcher Plagen?) In the turba parts, the two choruses sometimes alternate in cori spezzati style (e.g. The speech of other persons, called soliloquents, is also set as secco recitative. The orchestra consists of woodwinds, strings, and basso continuo (Bc). William Sterndale Bennett became a founder of the Bach Society of London in 1849 with the intention of introducing Bach's works to the English public. Bach: St. Matthew Passion, BWV 244 - Part Two - No.30 Aria (Alto, Chorus II): "Ach nun ist mein Jesu hin", a song by Ilona Durigo on TIDAL The work is composed for double choir, double orchestra, and vocal soloists. Solo violin part from the aria “Erbarme dich, mein Gott” for alto, solo violin, and orchestra from St Matthew Passion, BWV 244 by J.S. The word Herr appears 11 times, once for each disciple except Judas Iscariot. "Jesus is anointed with precious ointment", 4. They are sung by soloists with a variety of instrumental accompaniments, typical of the oratorio style. The woodwinds are two traversos, oboes and oboes d'amore for each choir, and in addition for choir I two oboes da caccia. Three of the texts Bach used for chorale settings are written by Paul Gerhardt. Upon Jesus' declaration that one of the twelve will betray him in 9d, they ask him "Lord, is it I?" 14) where Jesus predicts that Peter will deny him three times before the cock crows. In the revision of 1743–1746, it is also these words (the Vox Christi) that receive a sustained continuo part. The music of the cantata consisted largely of music adapted from the St Matthew Passion. Choir I consists of a soprano in ripieno voice, a soprano solo, an alto solo, a tenor solo, SATB chorus, two traversos, two oboes, two oboes d'amore, two oboes da caccia, lute, strings (two violin sections, violas and cellos), and continuo (at least organ). 1989 Preview SONG TIME St. Matthew Passion, BWV 244: No. 18 canciones. "Bach's Chorus: A Preliminary Report. The first scene of Part Two is an interrogation at the High Priest Caiaphas (No. At first sight, the structure of the passion seems a bit curious with two long alto arias, two shorter treble arias and a single aria for tenor and bass. The first scenes are in Jerusalem: Jesus announces his death (No. Herzliebster Jesu, was hast du verbrochen, Without text (played by organ only) in older versions of the Passion, Und da sie den Lobgesang gesprochen hatten, O Schmerz! Each aria marks the musical summit of the work in question. Écoutez Bach: St. Matthew Passion - Arias & Choruses par Herbert von Karajan, Gundula Janowitz, Christa Ludwig, Horst R. Laubenthal, Walter Berry, Berliner Philharmoniker, Wiener Singverein, Chor der Deutschen Oper Berlin, Staats- und Domchor Berlin, Johann Sebastian Bach. One is the double-choir format, which stems from his own double-choir motets and those of many other composers with which he routinely started Sunday services. Casino (1995 Film) "Matthaus Passion" chapters 26 and 27. Matthäus-Passion BWV 244 English Translation in Interlinear Format Saint Matthew Passion BWV 244: Event: Good Friday Text: Christian Friedrich Henrici (Picander), based on Matthäus 26-27 Chorale Texts: Werde munter mein Gemüte | Meinen Jesum laß' ich nicht | Befiehl du deine Wege | O Haupt voll Blut und Wunden | Was mein Gott will, das g'scheh allzeit | O Welt, sieh hier dein Leben The St Matthew Passion is set for two choirs and two orchestras. St. Matthew Passion is an oratorio, which is a musical drama. We\'ll start in one of the most sublime and powerful corners of J.S. This week we\'ll explore music inspired by Good Friday and Easter, both sacred and secular. Sometimes the rhythms are smooth and flowing, in imitation of the many fluids that course through the text: precious ointment, water, tears, blood, wine. Matthäus-Passion BWV 244 English Translation in Interlinear Format Saint Matthew Passion BWV 244: Event: Good Friday Text: Christian Friedrich Henrici (Picander), based on Matthäus 26-27 Chorale Texts: Werde munter mein Gemüte | Meinen Jesum laß' ich nicht | Befiehl du deine Wege | O Haupt voll Blut und Wunden | Was mein Gott will, das g'scheh allzeit | O Welt, sieh hier dein Leben Movement 63b, Wahrlich, dieser ist Gottes Sohn gewesen (Truly, this man was God's own Son most truly), is treated the same way. Bach included five stanzas of his "O Haupt voll Blut und Wunden" in the Passion, and he uses the first two stanzas of the poem to conclude the Flagellation scene. Read more. Sterndale Bennett 1845 edition of the Passion was to be the first of many (as Adolph Bernhard Marx and Adolf Martin Schlesinger's one in 1830), the latest being by Neil Jenkins (1997) and Nicholas Fisher and John Russell (2008). St. Matthew describes the tearing of the Temple curtain and an earthquake – set to music by Bach. View credits, reviews, tracks and shop for the 1962 Vinyl release of Arias From St. Matthew Passion on Discogs. St Matthew Passion, BWV 244 (highlights) (1989 Remastered Version): Aria (alto): Erbarme Dich, Mein Gott song by Theo Altmeyer, Franz Crass, Teresa Zylis-Gara, Julia Hamari, Nicolai Gedda, Wolfgang Gönnenwein, Consortium Musicum, Süddeutscher Madrigalchor, Hermann Prey now on JioSaavn. Bach seems to have stimulated the poet to write more of such verse in order to come to a full-fledged libretto for a Passion presentation combined with the Passion text chapters 26 and 27 in the Gospel of St Matthew. Jesus is often referred to as "my Jesus". The next scene (No. "The hearing before high priest Caiaphas", 9. [15] The opening chorus, "Kommt, ihr Töchter, helft mir klagen" is also notable for the use of chorale cantus firmus, in which the soprano in ripieno crowns a colossal buildup of polyphonic and harmonic tension, singing a verse of "O Lamm Gottes, unschuldig". 3–479, Autograph score in the Berlin State Library (Staatsbibliothek zu Berlin), International Music Score Library Project, Translation to many languages, commentary, musical examples, list of recordings, The Passion according to Saint Matthew BWV 244, Masses, magnificat, passions and oratorios, List of compositions by Johann Sebastian Bach, https://en.wikipedia.org/w/index.php?title=St_Matthew_Passion&oldid=998536685, Passions and oratorios by Johann Sebastian Bach, Articles needing additional references from April 2017, All articles needing additional references, Articles with unsourced statements from July 2015, Articles with International Music Score Library Project links, Wikipedia articles with MusicBrainz work identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License. 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